While you are practicing the very basic techniques I outlined in the last blog post (Silk Painting 101: #2 Practice Piece), start considering what it is you are going to paint and how it will be displayed.
Draw your design in pencil and keep it as simple as possible. Because I will be showing the gutta technique, you need to consider the simplicity of the design while you work on your drawing. I decided to paint a pangolin because the symmetry of their scales seems to lend itself well to my drawing style.
Transferring the design onto the silk
Once you are happy with handling the gutta applicator, and with your pencil design, you will need to transfer it to the silk. Now – its perfectly fine to draw the outlines in gutta directly onto the silk, as you did with the practice piece, but (did I mention I was a control freak?) I want to keep my final product pretty similar to my original drawing.
To trace your illustration onto the silk, it will need to be flush up against the silk. For this part, I use a very (non) hi-tech pile of books to attain the right height, with the illustration on the top, directly on the silk. Trace the picture in pencil onto the silk. You can also use one of those disappearing embroidery pencils if you want to be all fancy. You don’t need to trace ALL of the details of the design – as long as you have the bold outlines, you can add the finer points directly onto the silk, if you feel confident. It’s actually a lot harder to apply gutta over the pencil than it appears!
You might want to apply the gutta in stages allowing it time to dry. If your picture is complex, its hard to do the outline without leaning on the silk and smudging wet gutta, so take it slowly and be patient. Once the entire outline is complete and dry, you’ll be ready to start the painting.
Adding the color
Remembering the spread and flow of the silk paint from your practice piece, start applying the color to your design. Because you can’t really erase the paint once you have applied it, I suggest that you begin with your lightest color, that way, if you DO make an “error” then you can paint over it with a darker color once it is dry. I don’t really think anything is ever “wrong” or erroneous in art, it’s just an opportunity to see how creatively you can rescue a situation!
For small areas remember to only put a little paint on your brush. You’ll see that it spreads to the gutta and stops – hence the term “resist technique”.
That’s really all there is to it. I made a cheeky little video for you to enjoy. Next week I’ll try and troubleshoot any questions you have sent me. I’m pretty responsive to email so feel free to contact me or Facebook message me through my MirandaRobertsArt page and I’ll get back to you asap. Kind of unofficial “online help”!
Oh and be sure head on over and pre-order your copy of “Moyo’s Journey” today!